Accepted Contributions
List of Accepted Contributions
Full Papers
Robert Phillips; Nicholas Gant Engaging Design – Empowering Beyond ‘Participation’ For Active Engagement
Inês Neves; Claudia Reyes; Ismini Pachi; Dila Demir; Kristi Kuusk Creative exchange through joint responsibility: designing performances in multidisciplinary teams in the educational context
Eva Liisa Kubinyi; Vera Naydenova; Kristi Kuusk Children and design students practicing playful co-creation in a youth creativity lab
Hanna-Kaisa Korolainen Warhol and me – battle of the authors; from copying to sharing
Ingrid Cogne Facilitator
Marija Griniuk Erasing Memory? Subtitle: Narrative Constructed from the Images of Performances as Practices toward Decolonization of Memory in Lithuania.
Priska Falin; Pia Oksanen Ceramic pebbles as sensory tools: exploring the quality of muteness in tactile experience
Luis Vega; Bilge M Aktas; Priska Falin; Riikka Latva-Somppi; Julia Valle-Noronha Shared Authorship in Research through Art, Design, and Craft
Holly McQuillan; Kathryn Walters; Karin Peterson Critical Textile Topologies X Planet City: the intersection of design practice and research
Tommy Lindgren The Volumetric Diagram – Genealogy of a Drawing Type
Andrew Paterson Kitchen Lab: Spilling One’s Guts / Deep Fry Together
Marina Valle Noronha Envisioning new collecting discourses: Dissolving orphan collections in the commons through networks and ethics of care
Anniina Suominen; Tiina Pusa; Minna Suoniemi; Elina Julin; Eljas Suvanto Infernal learning and the class-clash
Exploratory Presentations
Namkyu Chun Critical Notes on Designing Fashion: The Ironic Relationship between Authorship and Responsibility in Fashion
Lisa Winstanley Cut & Paste: Addressing Visual Plagiarism in Applied Arts Education in Singapore
Adi Hamer Yacobi Thinking Hands: Craft Practices as a Research through Design
Sofie Boons Questioning the ‘Real’ and ‘Natural’: A Case Study on Diamonds
Britta Benno Thinking in Layers, Worlding in Layers: Posthuman Landscapes in Extended Drawings and Prints
Minjee Jeon Umbilical Cord–Connecting Minds
Terhi Marttila Four dimensions of authorship in the (co-?) creation of we-cannot-take-them-all
Elisa Alaluusua Interview as dialogue: Making meaning in collaboration
Suzanne Mooney Fragmentation as Preservation
Abhishek Hazra Political Subjectivities and the Double Bind of Pedagogic Responsibility: Some Reflections
Katri Lassila Deer Antler Stories – how to combine archaeologic and artistic research
Benedetta Crippa Quantum Thinking – Visual sustainability as co-existence-focused approach to form
Ksenia Kaverina Post-global Exhibition: Towards a Possibility of Multiple Translations
Danielle Wilde ReThinking Food
Timothy Smith Dismantling Ableism in the University: Embracing a Collective Authorship of Crip Time and Slow Scholarship
Pipsa Keski-Hakuni Staged Animality
Gloria Lauterbach The Resonance of Words We Speak-With
Hannah Kaihovirta Swing that Arch: Exploring Shared Authorship and Intellectual Ownership in Arts-based Research
Annika Sohlman What Does Silence Do? The Discursive Effects of Silence
Riikka Latva-Somppi Using craft as a field of inquiry in contemporary environmental discourse
Jaana Erkkilä-Hill To Fall and to Fly: Art practice in dialogue as a method to teach art / joint authorship
Freja Bäckman Hug Wood
Barbro Scholz Methods in Studies of Personal Wearable Lightspaces